Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for wom...
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Ciné regards
Les Rendez-vous du dimanche
I Don't Belong Anywhere: The Cinema of Chantal Akerman
Mallet-Stevens Street
Chantal Akerman, From Here
Je Tu Il Elle
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
Son chant
Guest
Tell Me
La chambre
Portrait of a Lazy Woman
Morceaux de Cannes
Delphine and Carole
Grands mères
Down There
The Man with the Suitcase
Family Business
Chantal Akerman by Chantal Akerman
Pictures of Europe
Chantal Akerman, an autobiography
Maniac Summer
Porto
The Beloved Child, or I Play at Being a Married Woman