Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3]
Although he initially intended to be a professional...
Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3]
Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's 8½ and its portrait of the role of a director.[4] Avati's passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions.
Domenica In
Painted Screams
Biasanòt
Venticinque anni di culto
Welcome Mr. President!
Portrait Of My Father
Pietro Germi - The Good, The Beautiful and The Bad
L'incanto
Paolo Conte, Come Away with Me
Gian Luigi Rondi - Vita, cinema, passione
Noi c'eravamo
Vorrei sparire senza morire
Pupi Avati: Questa sera vi porto al cinema
Alberto Sordi Secret
The Day of the Two Holy Popes
27 aprile Racconto di un evento
C'era una volta il prossimamente
La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione
Italy Possessed: A Brief History of Exorcist Rip-Offs
La Piazza che verrà, Bologna e il Cinema
La voglia matta di vivere
Boia, maschere e segreti: l’horror italiano degli anni sessanta
Souvenir d'Italie
Bava Puzzle