Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries...
Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries or fiction, have failed -with one or two exceptions - to draw large audience but they will remain a mirror of a whole generation.
C ce soir, le débat
Dim Dam Dom
Fat Girl
Purely Coincidental
Godard Mon Amour
Les Glucksmann, une histoire de famille
On the Road in France
Venus Beauty Institute
A Christmas Tale
Marguerite Duras and the '68ers
Godard Cinema
His Mother's Eyes
Room 666
René Vautier, le rebelle
Rien dans les poches
Les murs porteurs
Hands in the Air
Les Jours venus
Half a Life
The Easy Way Out
À mort la mort !
Gustave Courbet: The Origins of His World
A Letter to L...
10 mai 1981, le jour du grand soir