Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries...
Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries or fiction, have failed -with one or two exceptions - to draw large audience but they will remain a mirror of a whole generation.
C ce soir
Fat Girl
Dim Dam Dom
Godard Mon Amour
A Christmas Tale
On the Road in France
Venus Beauty Institute
Purely Coincidental
Godard Cinema
Room 666
Les Glucksmann, une histoire de famille
Hands in the Air
Rien dans les poches
His Mother's Eyes
Half a Life
À mort la mort !
Les murs porteurs
The Easy Way Out
René Vautier, le rebelle
Les Jours venus
Marguerite Duras and the '68ers
A Letter to L...
Gustave Courbet: The Origins of His World
Young Cinema: Godard and His Emulators