The film seeks to address the risks that Ziraldo's work takes. In a building abandoned ten years ago, the cartoonist's "Santa Ceia", a six-meter-high work painted in 1967, is far from the public and subject to the effects of time
Himself
Cutie and the Boxer
Bosch: The Garden of Dreams
Michael Palin's Quest for Artemisia
Fragonard: Lessons in Love
Tove and the Sea
Beatrix Potter with Patricia Routledge
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